
Daily spins over the last 28 days, and the four-week total. Flat stretches are outages; a rising line is a station adding rotation hours.
Ranked by spins this chart week, with movement against last week.
| # | Move | Title | Artist | Label | Spins | |
|---|---|---|---|---|---|---|
| 1 | NEW | 4 on the Floor | Gerald Albright | GRP | 3 | |
| 2 | NEW | As | Stevie Wonder | UNI/MOTOWN | 3 | |
| 3 | NEW | Caught Up in the Rapture | Anita Baker | Rhino Atlantic | 3 | |
| 4 | NEW | Dreamin' | VANESSA WILLIAMS | Island Mercury | 3 | |
| 5 | NEW | Exotica | Paul Taylor | N-Coded Music | 3 | |
| 6 | NEW | Is It a Crime? | Sade | Epic | 3 | |
| 7 | NEW | Lazy Days | Enya | Independent | 3 | |
| 8 | NEW | Mistletoe Waltz | Dordan | Independent | 3 | |
| 9 | ▲ 1289 | Piano in the Dark | Brenda Russell | A&M | 3 | |
| 10 | NEW | Sade | Kenny G | Arista | 3 | |
| 11 | NEW | Something Cool | June Christy | Independent | 3 | |
| 12 | NEW | A Little Bumpin' | Lee Ritenour | Independent | 2 | |
| 13 | ▲ 153 | After Midnight | Kim Waters | Independent | 2 | |
| 14 | NEW | Always There | Incognito | Independent | 2 | |
| 15 | NEW | Around AM | Alex Bugnon | Independent | 2 | |
| 16 | ▲ 217 | Automatic | Dave Koz | Independent | 2 | |
| 17 | NEW | Back Here Again | Bluey | Independent | 2 | |
| 18 | ▲ 238 | Barcelona | Brian Simpson | Shanachie | 2 | |
| 19 | ▲ 250 | Bermuda Nights | Gerald Albright | Craft Recordings | 2 | |
| 20 | ▲ 255 | Beyond the Horizon | Ken Navarro | Independent | 2 | |
| 21 | ▲ 291 | Breathe Again | Toni Braxton | Arista/LaFace Records | 2 | |
| 22 | ▲ 303 | Burma Road | Greg Adams | Epic | 2 | |
| 23 | NEW | Butter | Boney James | Concord Jazz | 2 | |
| 24 | NEW | Can You Stop the Rain | Peabo Bryson | Columbia/Legacy | 2 | |
| 25 | NEW | Can't Get Enough Of Your Love | Barry White | Independent | 2 | |
| 26 | NEW | Can't Let You Go | Dave Koz | Independent | 2 | |
| 27 | NEW | Chase the Clouds Away | Chuck Mangione | Independent | 2 | |
| 28 | ▲ 421 | Dance For Romance | Riley Richard | Independent | 2 | |
| 29 | ▲ 424 | Dance with My Father | Luther Vandross | J Records | 2 | |
| 30 | ▲ 426 | Dare To Dream | Oli Silk | Independent | 2 | |
| 31 | NEW | Delicioso | Ken Navarro | Independent | 2 | |
| 32 | NEW | Do Me Right | Kenny G | Independent | 2 | |
| 33 | ▲ 478 | Drive | Blake Aaron | Independent | 2 | |
| 34 | NEW | Easy | The Commodores | Motown | 2 | |
| 35 | NEW | Everytime We Say Goodbye | Diana Krall | Independent | 2 | |
| 36 | NEW | Fallin' | Alicia Keys | J Records | 2 | |
| 37 | ▼ 29 | Feels So Good | Chuck Mangione | A&M | 2 | |
| 38 | ▲ 552 | Fiona's Song | Brian Simpson | Independent | 2 | |
| 39 | NEW | Flight of the Angels | Keiko Matsui | Independent | 2 | |
| 40 | NEW | Fly By Night | Lee Ritenour | Independent | 2 |
Measured over the last two chart weeks. A record counts as dropped only when it hasn't been played at all in two weeks; new adds entered rotation in that time.
Every spin of the last 30 days by day and hour. Darker means busier. Peak hour: Sun 14:00.
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Times shown in station local time (PT).
How airplay is distributed across the playlist. A deep, even rotation — airplay is spread broadly rather than concentrated.
Most of this rotation is independent releases without catalogue genre data, so the mix reflects only classified spins.
43.4% of airplay with known label data went to independent labels (1,519 of 8,065 identified spins carry label data).
Records where this station was the first — or among the first five — on SpinCounts' monitored panel to play them.
Measured against records that debuted after Jun 2, 2026, when continuous monitoring began. Records already in rotation before then can't be credited either way. A record counts only once at least 3 stations on the panel have played it, and only if it came out within the 12 months before it reached the panel.
Compared against stations with similar rotations.
Estimated Audience is a modeled estimate of potential radio exposure based on population, radio listening assumptions, station share, and time of day. It does not represent verified or unique listener counts. Estimated Audience Impressions may include repeat exposure to the same listener.