
Daily spins over the last 28 days, and the four-week total. Flat stretches are outages; a rising line is a station adding rotation hours.
Ranked by spins this chart week, with movement against last week.
| # | Move | Title | Artist | Label | Spins | |
|---|---|---|---|---|---|---|
| 1 | ▲ 19 | Beaches In Tennessee | Cage the Elephant | Big Loud Rock | 24 | |
| 2 | ▲ 2 | Broken Mirror | Architects | Epitaph | 24 | |
| 3 | ▲ 18 | Crying Fire | Avatar | Black Waltz Records AB | 24 | |
| 4 | ▲ 1 | Deep | Black Stone Cherry | Mascot Records | 24 | |
| 5 | ▲ 1 | Die for You | From Ashes to New | Independent | 24 | |
| 6 | ▲ 3 | Eye of the Storm | Five Finger Death Punch | Better Noise Music | 24 | |
| 7 | ▲ 3 | GONE, GONE, GONE | Autumn Kings | Hopeless Records | 24 | |
| 8 | ▲ 3 | Kerosene | The Warning | Lava / Republic Records | 24 | |
| 9 | ▼ 8 | Rattle The Cage (feat. John 5) | Nickelback | Nickelback | 24 | |
| 10 | ▲ 4 | Sour | Ryan Perdz | Big Machine Rock | 24 | |
| 11 | ▲ 5 | Tell Me When You've Had Enough | Evanescence | BMG Rights Management (US) LLC | 24 | |
| 12 | ▲ 5 | Who Will You Follow | Evanescence | BMG Rights Management (US) LLC | 24 | |
| 13 | ▼ 11 | ALWAYS LET YOU DOWN | Bilmuri & A Day to Remember | Independent | 23 | |
| 14 | ▼ 11 | BLINDFOLD | Wage War | Fearless Records | 23 | |
| 15 | ▼ 8 | Do It For The Love | Letdown. | Independent | 23 | |
| 16 | ▲ 6 | Don't Wanna Go Home Tonight | Three Days Grace | Independent | 23 | |
| 17 | ▼ 9 | End of You | Poppy, Amy Lee & Courtney LaPlante | Sumerian Records | 23 | |
| 18 | ▲ 5 | I Know Evil | Fozzy | Madison Records | 23 | |
| 19 | ▼ 7 | Nails in the Coffin | Five Finger Death Punch | Better Noise Music | 23 | |
| 20 | ▼ 5 | Starless | A Perfect Circle | BMG Rights Management (US) LLC | 23 | |
| 21 | ▼ 3 | Window | Foo Fighters | RCA Records Label | 23 | |
| 22 | ▼ 3 | Young Again | Shinedown | Atlantic Records | 23 | |
| 23 | ▼ 10 | See U in Hell | Papa Roach | Independent | 22 | |
| 24 | – | Around the World | Red Hot Chili Peppers | Warner Records | 10 | |
| 25 | ▲ 152 | 45 | Shinedown | Atlantic Records | 7 | |
| 26 | ▲ 126 | Heart-Shaped Box | Nirvana | Geffen | 7 | |
| 27 | ▲ 128 | Holiday | Green Day | Reprise | 7 | |
| 28 | ▲ 132 | Kryptonite | 3 Doors Down | Universal Records | 7 | |
| 29 | ▲ 133 | My Own Worst Enemy | Lit | Independent | 7 | |
| 30 | ▲ 138 | Send the Pain Below | Chevelle | Epic | 7 | |
| 31 | ▲ 138 | So Cold | Breaking Benjamin | Hollywood Records | 7 | |
| 32 | ▲ 141 | What I Got (Demo) | Sublime | Gasoline Alley | 7 | |
| 33 | ▲ 141 | What It's Like | Everlast | Tommy Boy Music, LLC | 7 | |
| 34 | ▲ 110 | 3 Libras | A Perfect Circle | Virgin Records | 6 | |
| 35 | ▼ 10 | Aerials | System Of A Down | American/Columbia | 6 | |
| 36 | ▼ 10 | Afterlife | Avenged Sevenfold | Independent | 6 | |
| 37 | ▲ 108 | All My Life | Foo Fighters | RCA Records Label | 6 | |
| 38 | ▼ 11 | All These Things I Hate | Bullet for My Valentine | Independent | 6 | |
| 39 | ▼ 10 | Basket Case | Green Day | Reprise | 6 | |
| 40 | ▼ 10 | Bat Country | Avenged Sevenfold | Warner Records | 6 |
Measured over the last two chart weeks. A record counts as dropped only when it hasn't been played at all in two weeks; new adds entered rotation in that time.
Every spin of the last 30 days by day and hour. Darker means busier. Peak hour: Sat 07:00.
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Times shown in station local time (CT).
How airplay is distributed across the playlist. A deep, even rotation — airplay is spread broadly rather than concentrated.
Most of this rotation is independent releases without catalogue genre data, so the mix reflects only classified spins.
41.6% of airplay with known label data went to independent labels (6,674 of 9,932 identified spins carry label data).
Records where this station was the first — or among the first five — on SpinCounts' monitored panel to play them.
Measured against records that debuted after Jun 2, 2026, when continuous monitoring began. Records already in rotation before then can't be credited either way. A record counts only once at least 3 stations on the panel have played it, and only if it came out within the 12 months before it reached the panel.
Compared against stations with similar rotations.
Estimated Audience is a modeled estimate of potential radio exposure based on population, radio listening assumptions, station share, and time of day. It does not represent verified or unique listener counts. Estimated Audience Impressions may include repeat exposure to the same listener.