
Daily spins over the last 28 days, and the four-week total. Flat stretches are outages; a rising line is a station adding rotation hours.
Ranked by spins this chart week, with movement against last week.
| # | Move | Title | Artist | Label | Spins | |
|---|---|---|---|---|---|---|
| 1 | ▲ 14 | Big Big World | Emilia | Universal Music AB | 16 | |
| 2 | ▲ 7 | Carry On | Jungle | Caiola Records | 16 | |
| 3 | – | Damiano David - Next Summer | Damiano David | Independent | 16 | |
| 4 | ▲ 6 | Dance With Me | Bruno Mars | Atlantic Records | 16 | |
| 5 | ▲ 6 | Man I Need | Olivia Dean | PLG - Capitol | 16 | |
| 6 | – | End of the World | Miley Cyrus | Columbia | 15 | |
| 7 | ▼ 3 | Madwoman | Laufey | Vingolf Recordings | 15 | |
| 8 | ▼ 3 | Tears Of Joy | Leon Bridges | Independent | 15 | |
| 9 | ▼ 1 | The Fate of Ophelia | Taylor Swift | Taylor Swift | 15 | |
| 10 | ▲ 54 | Feels Like Im Falling In Love | Coldplay | Independent | 14 | |
| 11 | ▲ 172 | THE BALLAD OF TERRY FOX | Bryan Adams | Independent | 14 | |
| 12 | ▼ 10 | Curiosidade 12 outu | Independent | 10 | ||
| 13 | ▼ 12 | Curiosidade 12 out | Independent | 9 | ||
| 14 | ▲ 368 | Without You | Harry Nilsson | RCA Records Label | 6 | |
| 15 | ▼ 3 | Broken Wings | Mr. Mister | RCA Records Label | 5 | |
| 16 | ▼ 3 | I Want to Know What Love Is | Foreigner | Rhino Atlantic | 5 | |
| 17 | ▲ 112 | Don't Stop Believin' | Journey | Columbia | 4 | |
| 18 | ▲ 43 | Drive | The Cars | Rhino/Elektra | 4 | |
| 19 | ▲ 293 | Money for Nothing | Dire Straits | Warner Records | 4 | |
| 20 | ▲ 2 | Something | The Beatles | EMI Catalogue | 4 | |
| 21 | NEW | Three Times a Lady | The Commodores | Hip-O | 4 | |
| 22 | ▲ 89 | All Out of Love | Air Supply | Arista/Legacy | 3 | |
| 23 | ▲ 498 | Baby Come Back | Player | UMC (Universal Music Catalogue) | 3 | |
| 24 | ▲ 638 | Constant Craving | k.d. lang | 2013 Ameritz Music Ltd | 3 | |
| 25 | NEW | Demons | Imagine Dragons | Universal Music Enterprises | 3 | |
| 26 | NEW | Die With A Smile | Lady Gaga | Interscope | 3 | |
| 27 | ▲ 689 | Do You Really Want to Hurt Me | Culture Club | Virgin Records | 3 | |
| 28 | ▲ 11 | Don't Dream It's Over | Crowded House | Geffen | 3 | |
| 29 | ▲ 725 | Easy | The Commodores | Motown | 3 | |
| 30 | ▼ 13 | End of Beginning | Djo | Djo | 3 | |
| 31 | ▲ 841 | Hallelujah | Alexandra Burke | Independent | 3 | |
| 32 | ▲ 229 | Halo | Beyoncé | Music World Music/Columbia | 3 | |
| 33 | ▲ 949 | I'm Not in Love | 10cc | EMI | 3 | |
| 34 | NEW | I’m Every Woman | Chaka Khan | Rhino/Warner Records | 3 | |
| 35 | ▲ 267 | Livin' On A Prayer | Bon Jovi | Island Records | 3 | |
| 36 | ▼ 15 | Lost on You | LP | BMG Rights Management (US) LLC | 3 | |
| 37 | ▲ 7 | Love Hurts | Nazareth | Phono Music | 3 | |
| 38 | NEW | Make It With You | Bread | Rhino/Elektra | 3 | |
| 39 | ▲ 1195 | Nothing's Gonna Stop Us Now | Starship | Rhino | 3 | |
| 40 | NEW | Now And Forever | Richard Marx | Capitol Records | 3 |
Measured over the last two chart weeks. A record counts as dropped only when it hasn't been played at all in two weeks; new adds entered rotation in that time.
None in the last two weeks.
Every spin of the last 30 days by day and hour. Darker means busier. Peak hour: Fri 12:00.
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Times shown in station local time (UTC-03).
How airplay is distributed across the playlist. A deep, even rotation — airplay is spread broadly rather than concentrated.
Most of this rotation is independent releases without catalogue genre data, so the mix reflects only classified spins.
24.9% of airplay with known label data went to independent labels (3,209 of 5,371 identified spins carry label data).
Records where this station was the first — or among the first five — on SpinCounts' monitored panel to play them.
Measured against records that debuted after Jun 2, 2026, when continuous monitoring began. Records already in rotation before then can't be credited either way. A record counts only once at least 3 stations on the panel have played it, and only if it came out within the 12 months before it reached the panel.
Compared against stations with similar rotations.
Estimated Audience is a modeled estimate of potential radio exposure based on population, radio listening assumptions, station share, and time of day. It does not represent verified or unique listener counts. Estimated Audience Impressions may include repeat exposure to the same listener.