
Daily spins over the last 28 days, and the four-week total. Flat stretches are outages; a rising line is a station adding rotation hours.
Ranked by spins this chart week, with movement against last week.
| # | Move | Title | Artist | Label | Spins | |
|---|---|---|---|---|---|---|
| 1 | NEW | Champagne Supernova | Oasis | Big Brother Recordings Ltd | 4 | |
| 2 | NEW | Cupid Shuffle | Cupid | Asylum/NCE Records | 4 | |
| 3 | ▲ 261 | Float On | Modest Mouse | Epic | 4 | |
| 4 | ▲ 487 | Lit Up | Buckcherry | Independent | 4 | |
| 5 | NEW | Mr. Brightside | The Killers | Island Records | 4 | |
| 6 | ▲ 547 | My Own Worst Enemy | Lit | Independent | 4 | |
| 7 | ▲ 592 | Play That Funky Music | Wild Cherry | Epic | 4 | |
| 8 | NEW | Rock And Roll | Eric Hutchinson | Independent | 4 | |
| 9 | ▲ 643 | STAR WALKIN' (League of Legends Worlds Anthem) | Lil Nas X | Columbia | 4 | |
| 10 | NEW | Semi-Charmed Life | Third Eye Blind | Rhino/Elektra | 4 | |
| 11 | ▲ 649 | Send Me On My Way | Rusted Root | Island Mercury | 4 | |
| 12 | ▲ 766 | The Middle | Jimmy Eat World | Interscope | 4 | |
| 13 | ▲ 830 | Welcome to Paradise | Green Day | Reprise | 4 | |
| 14 | NEW | With Arms Wide Open | Creed | The Bicycle Music Company | 4 | |
| 15 | NEW | A MILLION DREAMS | Pink | Independent | 3 | |
| 16 | ▲ 32 | Accidentally In Love | Counting Crows | Dreamworks - Shrek II | 3 | |
| 17 | ▲ 34 | Africa | Weezer | Crush Music/Atlantic | 3 | |
| 18 | ▲ 41 | All I Wanna Do | Sheryl Crow | A&M | 3 | |
| 19 | NEW | Angel Eyes | The Jeff Healey Band | Arista/Legacy | 3 | |
| 20 | ▲ 55 | Ants Marching | Dave Matthews Band | RCA/Legacy | 3 | |
| 21 | NEW | Applause | Lady Gaga | Interscope | 3 | |
| 22 | ▲ 58 | Are You Gonna Go My Way | Lenny Kravitz | Virgin Records | 3 | |
| 23 | ▲ 59 | Automatic | The Pointer Sisters | SBME Strategic Marketing Group | 3 | |
| 24 | NEW | Ballroom Blitz | Sweet | Capitol Records | 3 | |
| 25 | NEW | Bang a Gong (Get It On) | T. Rex | Rhino/Warner Records | 3 | |
| 26 | NEW | Be True to Your School | The Beach Boys | Capitol Records | 3 | |
| 27 | NEW | Because the Night (Live) | 10,000 Maniacs | Rhino/Elektra | 3 | |
| 28 | ▼ 26 | Bitch | Meredith Brooks | Capitol Records | 3 | |
| 29 | ▲ 102 | Breakfast At Tiffany's | Deep Blue Something | Interscope | 3 | |
| 30 | NEW | Bus Stop | The Hollies | BMG Rights Management (US) LLC | 3 | |
| 31 | ▲ 122 | Caught Up In You | 38 Special | A&M | 3 | |
| 32 | ▲ 126 | Change Your Mind | Sister Hazel | Universal Records | 3 | |
| 33 | NEW | Could You Be Loved | Bob Marley & The Wailers | Island Records | 3 | |
| 34 | NEW | Cowboy | Kid Rock | Top Dog/Atlantic | 3 | |
| 35 | NEW | Do It Again | Steely Dan | Geffen | 3 | |
| 36 | NEW | Don't Look Back | Boston | Epic | 3 | |
| 37 | NEW | Don't Mean Nothing | Richard Marx | Capitol Records | 3 | |
| 38 | ▲ 190 | Don't You (Forget About Me) | Simple Minds | A&M | 3 | |
| 39 | NEW | Drivin' My Life Away | Eddie Rabbitt | Intersound | 3 | |
| 40 | ▲ 199 | EVERY OTHER TIME | LFO | Independent | 3 |
Measured over the last two chart weeks. A record counts as dropped only when it hasn't been played at all in two weeks; new adds entered rotation in that time.
Every spin of the last 30 days by day and hour. Darker means busier. Peak hour: Sun 07:00.
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Times shown in station local time (CT).
How airplay is distributed across the playlist. A deep, even rotation — airplay is spread broadly rather than concentrated.
23.8% of airplay with known label data went to independent labels (7,082 of 7,824 identified spins carry label data).
Records where this station was the first — or among the first five — on SpinCounts' monitored panel to play them.
Measured against records that debuted after Jun 2, 2026, when continuous monitoring began. Records already in rotation before then can't be credited either way. A record counts only once at least 3 stations on the panel have played it, and only if it came out within the 12 months before it reached the panel.
Compared against stations with similar rotations.
Estimated Audience is a modeled estimate of potential radio exposure based on population, radio listening assumptions, station share, and time of day. It does not represent verified or unique listener counts. Estimated Audience Impressions may include repeat exposure to the same listener.