
Daily spins over the last 28 days, and the four-week total. Flat stretches are outages; a rising line is a station adding rotation hours.
Ranked by spins this chart week, with movement against last week.
| # | Move | Title | Artist | Label | Spins | |
|---|---|---|---|---|---|---|
| 1 | ▲ 119 | I Melt with You | Modern English | Blixa Sounds | 5 | |
| 2 | ▲ 136 | Longview (Live) | Green Day | Reprise | 5 | |
| 3 | ▲ 184 | Self Esteem | The Offspring | Epitaph | 5 | |
| 4 | ▲ 52 | 1979 | The Smashing Pumpkins | Virgin Records | 4 | |
| 5 | ▲ 52 | A Girl Like You | The Smithereens | Capitol Records | 4 | |
| 6 | ▲ 60 | Bittersweet Symphony | The Verve | Independent | 4 | |
| 7 | ▲ 60 | Black | Pearl Jam | Epic/Legacy | 4 | |
| 8 | ▲ 71 | Chains of Love | Erasure | Rhino/Warner Records | 4 | |
| 9 | ▲ 77 | December | Collective Soul | Craft Recordings | 4 | |
| 10 | ▲ 82 | Dreams | The Cranberries | Island Records | 4 | |
| 11 | ▲ 82 | Enjoy the Silence | Depeche Mode | Venusnote Ltd. | 4 | |
| 12 | ▲ 82 | Everlong | Foo Fighters | RCA Records Label | 4 | |
| 13 | ▲ 82 | Everybody Wants to Rule the World | Tears for Fears | UMC (Universal Music Catalogue) | 4 | |
| 14 | ▲ 85 | Far Behind | Candlebox | Maverick | 4 | |
| 15 | ▲ 91 | Glycerine | Bush | Craft Recordings | 4 | |
| 16 | ▲ 94 | Here Comes the Rain Again | Eurythmics | RCA Records Label | 4 | |
| 17 | ▲ 105 | I Touch Myself | Divinyls | Virgin Records | 4 | |
| 18 | – | In Between Days | The Cure | Rhino/Elektra | 4 | |
| 19 | ▲ 118 | Lithium | Nirvana | Geffen | 4 | |
| 20 | ▲ 9 | Love My Way | The Psychedelic Furs | Columbia | 4 | |
| 21 | ▲ 120 | Lovesong | The Cure | Rhino/Elektra | 4 | |
| 22 | ▲ 123 | Mr. Jones | Counting Crows | Geffen | 4 | |
| 23 | ▲ 128 | Need You Tonight-Mediate | INXS | Independent | 4 | |
| 24 | ▲ 11 | Once In a Lifetime | Talking Heads | Rhino/Warner Records | 4 | |
| 25 | ▲ 11 | One Headlight | The Wallflowers | Interscope | 4 | |
| 26 | ▲ 136 | PERFECT KISS | New Order | Independent | 4 | |
| 27 | ▲ 142 | Policy of Truth | Depeche Mode | Venusnote Ltd. | 4 | |
| 28 | ▲ 11 | Promises Promises | Naked Eyes | Chrysalis Records | 4 | |
| 29 | ▲ 146 | Rebel Rebel | David Bowie | Rhino | 4 | |
| 30 | ▲ 147 | Right Here Right Now | Jesus Jones | RT Industries | 4 | |
| 31 | ▲ 148 | Rio | Duran Duran | Rhino | 4 | |
| 32 | ▲ 150 | Rock the Casbah | The Clash | Sony Music UK | 4 | |
| 33 | ▲ 151 | Sabotage | Beastie Boys | Capitol Records | 4 | |
| 34 | ▲ 152 | Say It Ain't So | Weezer | DGC | 4 | |
| 35 | ▲ 153 | Senses Working Overtime | XTC | Virgin Catalogue | 4 | |
| 36 | ▲ 157 | Should I Stay or Should I Go | The Clash | Sony Music UK | 4 | |
| 37 | ▲ 158 | Situation | Yaz | Rhino/Warner Records | 4 | |
| 38 | ▲ 161 | Song 2 | Blur | Parlophone UK | 4 | |
| 39 | ▲ 164 | Spoonman | Soundgarden | Geffen | 4 | |
| 40 | ▲ 168 | Suicide Blonde | INXS | Rhino Atlantic | 4 |
Measured over the last two chart weeks. A record counts as dropped only when it hasn't been played at all in two weeks; new adds entered rotation in that time.
Every spin of the last 30 days by day and hour. Darker means busier. Peak hour: Sun 02:00.
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Times shown in station local time (PT).
How airplay is distributed across the playlist. A deep, even rotation — airplay is spread broadly rather than concentrated.
Most of this rotation is independent releases without catalogue genre data, so the mix reflects only classified spins.
31% of airplay with known label data went to independent labels (7,445 of 10,586 identified spins carry label data).
Records where this station was the first — or among the first five — on SpinCounts' monitored panel to play them.
Measured against records that debuted after Jun 2, 2026, when continuous monitoring began. Records already in rotation before then can't be credited either way. A record counts only once at least 3 stations on the panel have played it, and only if it came out within the 12 months before it reached the panel.
Compared against stations with similar rotations.
Estimated Audience is a modeled estimate of potential radio exposure based on population, radio listening assumptions, station share, and time of day. It does not represent verified or unique listener counts. Estimated Audience Impressions may include repeat exposure to the same listener.