
Daily spins over the last 28 days, and the four-week total. Flat stretches are outages; a rising line is a station adding rotation hours.
Ranked by spins this chart week, with movement against last week.
| # | Move | Title | Artist | Label | Spins | |
|---|---|---|---|---|---|---|
| 1 | NEW | Angelina | Dabu Fantastic | Independent | 3 | |
| 2 | NEW | Rude Boy | Rihanna | Def Jam Recordings | 3 | |
| 3 | ▲ 395 | Universo | Blas Cantó | Independent | 3 | |
| 4 | ▲ 421 | Wonderful Life | Hurts | Columbia Local | 3 | |
| 5 | NEW | Ain't Your Mama | Jennifer Lopez | Epic/Nuyorican Productions | 2 | |
| 6 | NEW | Airplay 40 Charts | Spencer James | Independent | 2 | |
| 7 | ▲ 3 | Airplay 40 Rewind | Spencer James | Independent | 2 | |
| 8 | NEW | Alejandro | Lady Gaga | Interscope | 2 | |
| 9 | NEW | Alperose 07 | Polo Hofer | Independent | 2 | |
| 10 | ▼ 8 | Bad Romance | Lady Gaga | Interscope | 2 | |
| 11 | NEW | Belfast Child | Simple Minds | Independent | 2 | |
| 12 | NEW | Constant Craving | k.d. lang | 2013 Ameritz Music Ltd | 2 | |
| 13 | NEW | Constigo Hasta El Final (with You Until the End) | ESDM | Independent | 2 | |
| 14 | NEW | Daylight | Maroon 5 | Interscope Records* | 2 | |
| 15 | ▲ 115 | De troubadour | Lenny Kuhr | Independent | 2 | |
| 16 | NEW | Der Tag wird kommen | Marcus Wiebusch | Independent | 2 | |
| 17 | NEW | Don't Let Go | En Vogue | Independent | 2 | |
| 18 | NEW | Greatest Hits Of Music | James Ross | Independent | 2 | |
| 19 | ▲ 162 | Guilty Pleasure | Mia Dimšić | Independent | 2 | |
| 20 | NEW | HA DIAS ASSIM | Filipa Azevedo | Independent | 2 | |
| 21 | NEW | Ha - Stay on these roads | A | Independent | 2 | |
| 22 | ▲ 3 | Happy Days | Ted | Independent | 2 | |
| 23 | ▲ 163 | Hemmigslos Liebi | Fabienne Louves | Independent | 2 | |
| 24 | NEW | Here For You | Maraaya | Independent | 2 | |
| 25 | NEW | Here We Go | Minnie Riperton | EMI Catalogue | 2 | |
| 26 | NEW | I Wanne (2002 Lativa 1st Place) | Lauris Reiniks & Marie N | Independent | 2 | |
| 27 | NEW | Icebreaker | Agnete | Independent | 2 | |
| 28 | NEW | If Love Was A Crime | Poli Genova | Independent | 2 | |
| 29 | NEW | In The Name Of Love | Monika Kuszyńska | Independent | 2 | |
| 30 | NEW | In the Beginning | Beautiful World | Independent | 2 | |
| 31 | NEW | Jack Theme Suite (New Score Cue from Pirates of the Caribbean Dead Mans Chest) | DJ TIESTO | Independent | 2 | |
| 32 | NEW | Lautar (Eurovision 2012 - Moldova) | Pasha Parfeny | Independent | 2 | |
| 33 | ▲ 217 | Little in the Middle | Milow | Independent | 2 | |
| 34 | NEW | Lost And Found | Eye Cue | Independent | 2 | |
| 35 | NEW | Love Kills | Roberto Bellarosa | Independent | 2 | |
| 36 | NEW | Miss You | Jérémie Makiese | Independent | 2 | |
| 37 | ▲ 236 | More Than a Feeling | Boston | Epic/Legacy | 2 | |
| 38 | NEW | My Star | BrainStorm | Independent | 2 | |
| 39 | NEW | O Mie | Aliona Moon | Independent | 2 | |
| 40 | ▲ 257 | One Toy Soldier | Enya | Independent | 2 |
Measured over the last two chart weeks. A record counts as dropped only when it hasn't been played at all in two weeks; new adds entered rotation in that time.
Every spin of the last 30 days by day and hour. Darker means busier. Peak hour: Tue 23:00.
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Times shown in station local time (CEST).
How airplay is distributed across the playlist. A deep, even rotation — airplay is spread broadly rather than concentrated.
Most of this rotation is independent releases without catalogue genre data, so the mix reflects only classified spins.
27.2% of airplay with known label data went to independent labels (548 of 2,401 identified spins carry label data).
Records where this station was the first — or among the first five — on SpinCounts' monitored panel to play them.
Measured against records that debuted after Jun 2, 2026, when continuous monitoring began. Records already in rotation before then can't be credited either way. A record counts only once at least 3 stations on the panel have played it, and only if it came out within the 12 months before it reached the panel.
Compared against stations with similar rotations.
Estimated Audience is a modeled estimate of potential radio exposure based on population, radio listening assumptions, station share, and time of day. It does not represent verified or unique listener counts. Estimated Audience Impressions may include repeat exposure to the same listener.