
Daily spins over the last 28 days, and the four-week total. Flat stretches are outages; a rising line is a station adding rotation hours.
Ranked by spins this chart week, with movement against last week.
| # | Move | Title | Artist | Label | Spins | |
|---|---|---|---|---|---|---|
| 1 | ▲ 45 | I Found You | Used & judith | usedmusic | 13 | |
| 2 | ▲ 5 | Babydoll | Jamie Miller | Universal Records | 12 | |
| 3 | ▲ 15 | Best Friend | Kids With Buns | Independent | 12 | |
| 4 | ▲ 15 | Boston | STELLA LEFTY | Atlantic Outpost | 12 | |
| 5 | ▲ 30 | SEEIN' STARS | Turnstile | Roadrunner Records | 12 | |
| 6 | ▲ 30 | Self Aware | Temper City | Temper City under exclusive license to Thirty Knots | 12 | |
| 7 | ▼ 5 | Choosin' Texas | Ella Langley | SAWGOD/Columbia | 11 | |
| 8 | ▲ 13 | Easy Street | Queens of the Stone Age | Independent | 11 | |
| 9 | ▲ 29 | FEVER DREAM | Alex Warren | Atlantic Records | 11 | |
| 10 | ▼ 1 | Kingdom of Fear | Cameron Whitcomb | Atlantic Outpost | 11 | |
| 11 | ▼ 1 | Lost Boys | Phoebe Bridgers | Dead Oceans | 11 | |
| 12 | ▼ 1 | Mi Chico | DJ Goja | gamma. | 11 | |
| 13 | ▼ 1 | My Body Isn't Ready | sombr | Warner Records | 11 | |
| 14 | ▲ 25 | New Religion | Bebe Rexha | Bebe Rexha Music LLC / EMPIRE | 11 | |
| 15 | ▼ 12 | Ooit Komt Er Een Dag | Bazart | Bazart | 11 | |
| 16 | ▲ 31 | Patient Zero | Taylor Swift | Taylor Swift | 11 | |
| 17 | ▼ 2 | Who's That | The War on Drugs | Independent | 11 | |
| 18 | ▼ 13 | silent treatment | Freya Skye | Hollywood Records | 11 | |
| 19 | ▼ 2 | Bass Persuades | Miley Cyrus | Atlantic Records | 10 | |
| 20 | – | Break Up in Reverse | Teddy Swims | Warner Records | 10 | |
| 21 | ▲ 24 | Dai Dai | Shakira | Sony Music Latin | 10 | |
| 22 | ▲ 15 | EMERALD EYES | Alex Warren | Atlantic Records | 10 | |
| 23 | ▲ 1 | Homewrecker | sombr | Warner Records | 10 | |
| 24 | ▼ 16 | I’m Good (From The Movie “GOAT”) | Jelly Roll | GOAT Soundtrack | 10 | |
| 25 | – | Loving Each Other | Berre | Universal Music S.A. | 10 | |
| 26 | ▲ 14 | Schaduw van jezelf | Line De Dauw | Independent | 10 | |
| 27 | ▼ 23 | Take Me Back | Kygo | Kygo | 10 | |
| 28 | ▲ 1 | The Rush | Editors | Independent | 10 | |
| 29 | ▼ 23 | you did not sign up for this | judith | Sony Music Entertainment | 10 | |
| 30 | – | All Because Of You | Bas Serra | Independent | 9 | |
| 31 | ▲ 1 | Magnetic | The Bausa | Columbia/B1 Recordings | 9 | |
| 32 | ▼ 6 | Mr. Know It All | Teddy Swims | Warner Records | 9 | |
| 33 | ▼ 6 | My Oh My | Kris Kross Amsterdam, Luísa Sonza & Willy William | Independent | 9 | |
| 34 | ▼ 1 | On My Soul | Bruno Mars | Atlantic Records | 9 | |
| 35 | ▼ 22 | Repeat It | Martin Garrix | STMPD RCRDS | 9 | |
| 36 | ▲ 6 | Talk To You (ft. 54 Ultra) | ANOTR | No Art | 9 | |
| 37 | ▲ 7 | We Zijn Ermee Bezig | Bart Peeters | SIMPLETONE | 9 | |
| 38 | ▼ 22 | Animal | KATSEYE | HYBE/Geffen | 8 | |
| 39 | ▼ 17 | Great Expectation | SIENNA SPIRO | Capitol Records | 8 | |
| 40 | ▼ 17 | Hoe Dan Ook | MAKSIM & Babet | CTM Music | 8 |
Measured over the last two chart weeks. A record counts as dropped only when it hasn't been played at all in two weeks; new adds entered rotation in that time.
None in the last two weeks.
Every spin of the last 30 days by day and hour. Darker means busier. Peak hour: Fri 15:00.
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Times shown in station local time (CEST).
How airplay is distributed across the playlist. A deep, even rotation — airplay is spread broadly rather than concentrated.
Most of this rotation is independent releases without catalogue genre data, so the mix reflects only classified spins.
34.4% of airplay with known label data went to independent labels (2,678 of 4,857 identified spins carry label data).
Records where this station was the first — or among the first five — on SpinCounts' monitored panel to play them.
Measured against records that debuted after Jun 2, 2026, when continuous monitoring began. Records already in rotation before then can't be credited either way. A record counts only once at least 3 stations on the panel have played it, and only if it came out within the 12 months before it reached the panel.
Compared against stations with similar rotations.
Estimated Audience is a modeled estimate of potential radio exposure based on population, radio listening assumptions, station share, and time of day. It does not represent verified or unique listener counts. Estimated Audience Impressions may include repeat exposure to the same listener.