
Daily spins over the last 28 days, and the four-week total. Flat stretches are outages; a rising line is a station adding rotation hours.
Ranked by spins this chart week, with movement against last week.
| # | Move | Title | Artist | Label | Spins | |
|---|---|---|---|---|---|---|
| 1 | – | AGENDA DES MONTS | CHRONIQUE MODUL | Independent | 82 | |
| 2 | – | ZOOM LOCAL | CHRONIQUE MODUL | Independent | 44 | |
| 3 | ▲ 4 | Frérot | Jérémy Frerot | 6&7 | 34 | |
| 4 | ▲ 5 | Été avec toi | Adèle Castillon | Iconoclast Music | 34 | |
| 5 | ▲ 3 | Love Bites Back | Lusaint | Independent | 33 | |
| 6 | ▲ 4 | FEVER DREAM | Alex Warren | Atlantic Records | 32 | |
| 7 | ▼ 4 | Self Aware | Temper City | Temper City under exclusive license to Thirty Knots | 32 | |
| 8 | ▼ 4 | Stay Love | Lewis Capaldi | Vertigo Berlin | 32 | |
| 9 | ▼ 4 | Mr. Know It All | Teddy Swims | Warner Records | 30 | |
| 10 | ▼ 4 | ONE TRACK MIND | Naïka | Naïka Music | 30 | |
| 11 | – | HOROSCOPE | CHRONIQUE MODUL | Independent | 26 | |
| 12 | ▲ 1 | Animal | KATSEYE | HYBE/Geffen | 20 | |
| 13 | ▲ 8 | D'or et d'étain | Vianney | Tôt Ou Tard | 20 | |
| 14 | ▲ 8 | Dracula | Tame Impala | Columbia | 20 | |
| 15 | ▲ 8 | Drive Safe | Myles Smith | RCA Records Label | 20 | |
| 16 | ▲ 3 | Le Petit Pêcheur | Manon Lisa | Bel Air Records | 20 | |
| 17 | ▼ 3 | Nightshift Superstar | Muse | Warner Records | 20 | |
| 18 | ▼ 3 | Première fois | Slimane | Independent | 20 | |
| 19 | ▼ 3 | Who Will You Follow | Evanescence | BMG Rights Management (US) LLC | 20 | |
| 20 | ▼ 3 | silent treatment | Freya Skye | Hollywood Records | 20 | |
| 21 | ▲ 6 | My Body Isn't Ready | sombr | Warner Records | 19 | |
| 22 | ▼ 2 | des fleurs | Tove Lo | Tove Lo | 19 | |
| 23 | ▼ 11 | Save Me Tonight | Jennifer Lopez | Warner Records | 18 | |
| 24 | ▲ 7 | j'me demande | Ambre | RCA Group | 16 | |
| 25 | ▼ 1 | UN JOUR, UNE EXPRESSION | CHRONIQUE MODUL | Independent | 15 | |
| 26 | NEW | Four To the Floor | Starsailor | Parlophone UK | 13 | |
| 27 | ▲ 10 | Une seule vie | Angèle | GGL Records | 13 | |
| 28 | ▲ 20 | Dis Moi Ou | Julien Lieb | Independent | 12 | |
| 29 | ▼ 1 | Attraction | Sébastien Tellier & Juliette Armanet | Because Music / Horizons | 11 | |
| 30 | ▲ 2 | DE LA TERRE À L'ASSIETTE | CHRONIQUE MODUL | Independent | 11 | |
| 31 | ▼ 5 | Je pense à vous | Pierre de Maere | Wagram Music / Cinq 7 | 11 | |
| 32 | ▲ 9 | Te Rencontrer Encore | ESTL | Independent | 11 | |
| 33 | ▲ 1 | AUTOUR DU LIVRE | CHRONIQUE MODUL | Independent | 10 | |
| 34 | ▲ 1 | L'INSTANT PATOIS | CHRONIQUE MODUL | Independent | 10 | |
| 35 | ▲ 1 | MADE IN MODUL | CHRONIQUE MODUL | Independent | 10 | |
| 36 | ▲ 4 | Soon (feat. Gaëtan Roussel) | Mosimann | RCA Group | 10 | |
| 37 | ▼ 7 | Tastes Like Summer | James Blunt | Atlantic Records UK | 10 | |
| 38 | ▲ 4 | The Way We Touch | Charlotte Cardin | Cult Nation | 10 | |
| 39 | ▼ 10 | Chaussures Roses | TeddyBear | Naive | 9 | |
| 40 | ▼ 2 | ENERGIE POSITIVE | CHRONIQUE MODUL | Independent | 9 |
Measured over the last two chart weeks. A record counts as dropped only when it hasn't been played at all in two weeks; new adds entered rotation in that time.
None in the last two weeks.
Every spin of the last 30 days by day and hour. Darker means busier. Peak hour: Wed 06:00.
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Times shown in station local time (CEST).
How airplay is distributed across the playlist. A deep, even rotation — airplay is spread broadly rather than concentrated.
Most of this rotation is independent releases without catalogue genre data, so the mix reflects only classified spins.
38.6% of airplay with known label data went to independent labels (3,086 of 5,249 identified spins carry label data).
Records where this station was the first — or among the first five — on SpinCounts' monitored panel to play them.
Measured against records that debuted after Jun 2, 2026, when continuous monitoring began. Records already in rotation before then can't be credited either way. A record counts only once at least 3 stations on the panel have played it, and only if it came out within the 12 months before it reached the panel.
Compared against stations with similar rotations.
Estimated Audience is a modeled estimate of potential radio exposure based on population, radio listening assumptions, station share, and time of day. It does not represent verified or unique listener counts. Estimated Audience Impressions may include repeat exposure to the same listener.