
Daily spins over the last 28 days, and the four-week total. Flat stretches are outages; a rising line is a station adding rotation hours.
Ranked by spins this chart week, with movement against last week.
| # | Move | Title | Artist | Label | Spins | |
|---|---|---|---|---|---|---|
| 1 | ▲ 1 | GROWING UP IS _____ | Ruel | Independent | 9 | |
| 2 | ▲ 29 | In The Dark | DJ Snake | DJ Snake Music Productions Limited | 6 | |
| 3 | ▲ 4 | Lush Life | Zara Larsson | Epic/Record Company TEN | 6 | |
| 4 | ▼ 1 | Sauna | RIIKI REID | Independent | 6 | |
| 5 | ▼ 4 | Super Bass | Nicki Minaj | Nicki Minaj/Cash Money | 6 | |
| 6 | ▼ 1 | follow | Zimmer90 | Independent | 6 | |
| 7 | ▼ 1 | CANT HOLD US | MACKLEMOR | Independent | 5 | |
| 8 | – | Say Hi! | Aqua Riyaz | Independent | 5 | |
| 9 | ▼ 5 | Wake Me Up | Avicii | Pophouse Entertainment Group | 5 | |
| 10 | ▲ 35 | RADIO RECAP: Friday 9th October | The Edge Arvo Show | Independent | 4 | |
| 11 | ▲ 112 | Savage Love | Jawsh 685 x Jason Derulo | Independent | 4 | |
| 12 | NEW | 4U | Ofenbach | Independent | 3 | |
| 13 | NEW | Ain't Nobody | felix jaehn | Independent | 3 | |
| 14 | NEW | Circles | Post Malone | Republic Records | 3 | |
| 15 | ▲ 8 | Cocoon | Milky Chance | Independent | 3 | |
| 16 | ▲ 9 | Enjoy the Silence | Depeche Mode | Venusnote Ltd. | 3 | |
| 17 | ▲ 76 | Found Your Love | NOTD & Libby Whitehouse | Independent | 3 | |
| 18 | NEW | Heat Waves | Glass Animals | Polydor Records | 3 | |
| 19 | NEW | No One Dies From Love | Tove Lo | Independent | 3 | |
| 20 | NEW | RADIO RECAP: Wednesday 14th October | The Edge Arvo Show | Independent | 3 | |
| 21 | ▲ 307 | Seven | Jungkook | Independent | 3 | |
| 22 | NEW | TOGETHER | TW3LV/JACK WILBY | Independent | 3 | |
| 23 | ▲ 127 | You Know What I Need | PNAU | Independent | 3 | |
| 24 | ▲ 129 | (It Goes Like) Nanana (Edit) | Peggy Gou | XL Recordings | 2 | |
| 25 | NEW | 2002 | Anne-Marie | Atlantic Records UK | 2 | |
| 26 | NEW | ALWAYS LOVE | d4vd | Independent | 2 | |
| 27 | ▲ 137 | All The Stars | Kendrick Lamar | Black Panther (TDE/DMG) PS | 2 | |
| 28 | ▲ 142 | Arcade | Duncan Laurence | Universal Music B.V. | 2 | |
| 29 | ▲ 146 | Be Her | Ella Langley | SAWGOD/Columbia | 2 | |
| 30 | ▲ 146 | Beat Again | JLS | Independent | 2 | |
| 31 | ▲ 151 | Blank Space | Taylor Swift | Taylor Swift | 2 | |
| 32 | NEW | Boyfriend | Dove Cameron | Disruptor Records/Columbia | 2 | |
| 33 | NEW | Candyfloss | Alfie Templeman | Independent | 2 | |
| 34 | NEW | Changes (1998 Greatest Hits) | 2Pac | 芮河音樂有限公司 | 2 | |
| 35 | ▼ 13 | Cinderella | Remi Wolf | Independent | 2 | |
| 36 | ▲ 158 | Cold | Maroon 5 | Interscope Records* | 2 | |
| 37 | NEW | Cold Heart (PNAU Remix) | Elton John | EMI | 2 | |
| 38 | NEW | Come & Get It | Selena Gomez | Hollywood Records | 2 | |
| 39 | NEW | Con Calma | Daddy Yankee, Snow | Independent | 2 | |
| 40 | ▼ 28 | DANCE... | Slayyyter | Independent | 2 |
Measured over the last two chart weeks. A record counts as dropped only when it hasn't been played at all in two weeks; new adds entered rotation in that time.
Every spin of the last 30 days by day and hour. Darker means busier. Peak hour: Sat 12:00.
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Times shown in station local time (UTC-04).
How airplay is distributed across the playlist. A deep, even rotation — airplay is spread broadly rather than concentrated.
Most of this rotation is independent releases without catalogue genre data, so the mix reflects only classified spins.
29.8% of airplay with known label data went to independent labels (1,676 of 2,883 identified spins carry label data).
Records where this station was the first — or among the first five — on SpinCounts' monitored panel to play them.
Measured against records that debuted after Jun 2, 2026, when continuous monitoring began. Records already in rotation before then can't be credited either way. A record counts only once at least 3 stations on the panel have played it, and only if it came out within the 12 months before it reached the panel.
Compared against stations with similar rotations.
Estimated Audience is a modeled estimate of potential radio exposure based on population, radio listening assumptions, station share, and time of day. It does not represent verified or unique listener counts. Estimated Audience Impressions may include repeat exposure to the same listener.