
Daily spins over the last 28 days, and the four-week total. Flat stretches are outages; a rising line is a station adding rotation hours.
Ranked by spins this chart week, with movement against last week.
| # | Move | Title | Artist | Label | Spins | |
|---|---|---|---|---|---|---|
| 1 | ▲ 18 | Cool Night | Keith Eatmon | Independent | 18 | |
| 2 | – | Toast of the Town | Spontaneous Groovin' Combustion | Tune 9 Music | 17 | |
| 3 | ▲ 21 | Trouble In Paradise | Terri Green | Independent | 16 | |
| 4 | ▲ 3 | Caliente Y Suave | Justin Young | Independent | 15 | |
| 5 | ▲ 8 | Love Wins Every Time | Melba Moore | Gallery Ent / Orpheus Enterprises | 15 | |
| 6 | ▼ 5 | Power Move | Adam Hawley | Independent | 15 | |
| 7 | ▲ 30 | Gettin' Down | Andrew Neu | EQuity Records | 14 | |
| 8 | ▼ 3 | Good Life Beautiful Life | Markko Mendes | Independent | 14 | |
| 9 | ▲ 2 | Good Morning Heartache | Trina Johnson Finn | Independent | 14 | |
| 10 | ▼ 6 | Smooth Jazz Non Stop | Chelsea WRS | Independent | 14 | |
| 11 | ▲ 16 | Apparently Not! - | Brian Bromberg | Independent | 13 | |
| 12 | ▼ 3 | Flying Home | Jayson Tipp | Independent | 13 | |
| 13 | ▲ 23 | Food For the Soul | Patrick Lamb | Patrick Lamb Productions | 13 | |
| 14 | ▲ 182 | Keep It Smooth (feat. Najee) | Lali P | LALI P. | 13 | |
| 15 | ▲ 52 | Lost In Love | Michael C. Lewis | Independent | 13 | |
| 16 | ▲ 4 | Most of This Moment (feat. David P Stevens) | Christina Cunningham | 5150131 Records DK2 | 13 | |
| 17 | ▲ 37 | Paradise Cay | Lawson Rollins | Infinita Records | 13 | |
| 18 | ▲ 4 | Silver Lining | PJ Spraggins | Independent | 13 | |
| 19 | ▲ 4 | The Groove In You | Paul Hardcastle Jr | Independent | 13 | |
| 20 | ▲ 24 | Vibes | Michael Cates | Sonic Redoubt Entertainment | 13 | |
| 21 | ▲ 12 | 170 North | Katja Rieckermann | Independent | 12 | |
| 22 | ▲ 12 | Blue Lounge | Reza Khan, Jeff Kashiwa & Brendan Rothwell | Independent | 12 | |
| 23 | ▼ 15 | Endless Weekend | Blake Aaron | Innervision Records | 12 | |
| 24 | ▼ 18 | In The Moment | Under The Lake | Independent | 12 | |
| 25 | ▼ 11 | Placid Mood | Rohan Reid | Goin’ Native Records | 12 | |
| 26 | ▲ 5 | Sledgehammer | Eric Knight | Woodward Avenue Records | 12 | |
| 27 | ▼ 1 | What Could Be Better | EToNS | Independent | 12 | |
| 28 | ▲ 98 | Big Island Smoothie | Bradley Leighton | Independent | 11 | |
| 29 | ▲ 55 | Dream Chaser | Harold Dawson | Dream Chaser Inc. | 11 | |
| 30 | ▼ 2 | Grid Lock | BPM | Independent | 11 | |
| 31 | ▲ 35 | It is What It Is | Aston Grey Project | Platinum Vybe 2.0 | 11 | |
| 32 | ▼ 20 | Let's Not Wait | Jarez | Independent | 11 | |
| 33 | ▲ 20 | Love Is The Only Thing I Need | Riley Richard | Independent | 11 | |
| 34 | ▲ 7 | On the Edge | Lowell Hopper | Independent | 11 | |
| 35 | ▼ 32 | Outskirts of Town | Joyce Cooling | Rhythm Kitchen | 11 | |
| 36 | ▲ 58 | Silhouette | E. Pruit | Independent | 11 | |
| 37 | ▼ 21 | Storybook | Boney James | Concord Jazz | 11 | |
| 38 | ▲ 115 | 360° | Tim Treadwell | Independent | 10 | |
| 39 | ▲ 22 | Avenue Lean | JKD | Independent | 10 | |
| 40 | ▲ 6 | Boomerang | Les Sabler | New Vista Records | 10 |
Measured over the last two chart weeks. A record counts as dropped only when it hasn't been played at all in two weeks; new adds entered rotation in that time.
None in the last two weeks.
Every spin of the last 30 days by day and hour. Darker means busier. Peak hour: Sun 00:00.
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Times shown in station local time (CEST).
How airplay is distributed across the playlist. A deep, even rotation — airplay is spread broadly rather than concentrated.
Most of this rotation is independent releases without catalogue genre data, so the mix reflects only classified spins.
94.3% of airplay with known label data went to independent labels (1,148 of 5,207 identified spins carry label data).
Compared against stations with similar rotations.
Estimated Audience is a modeled estimate of potential radio exposure based on population, radio listening assumptions, station share, and time of day. It does not represent verified or unique listener counts. Estimated Audience Impressions may include repeat exposure to the same listener.