
Daily spins over the last 28 days, and the four-week total. Flat stretches are outages; a rising line is a station adding rotation hours.
Ranked by spins this chart week, with movement against last week.
| # | Move | Title | Artist | Label | Spins | |
|---|---|---|---|---|---|---|
| 1 | ▲ 51 | The Foyer | Drab Majesty | Independent | 10 | |
| 2 | ▲ 654 | Are You Gonna Go My Way | Lenny Kravitz | Virgin Records | 9 | |
| 3 | NEW | How'm I Sleepin Sucker | Night Court | Independent | 8 | |
| 4 | ▲ 17 | Tear You Down | Ash Code | Independent | 8 | |
| 5 | ▲ 3 | Then | The Charlatans UK | Independent | 8 | |
| 6 | ▲ 611 | Would? | Alice In Chains | Columbia | 8 | |
| 7 | ▼ 6 | A Girl Like You | Edwyn Collins | AED | 7 | |
| 8 | ▲ 148 | Christine | The House of Love | Independent | 7 | |
| 9 | ▲ 21 | Come On Eileen | Dexys Midnight Runners | Mercury Nashville | 7 | |
| 10 | ▲ 383 | Find You're Gone | Wolfsheim | Independent | 7 | |
| 11 | ▲ 72 | Hot You're Cool | General Public | Independent | 7 | |
| 12 | ▲ 446 | Legal Tender | The B-52's | Rhino/Warner Records | 7 | |
| 13 | ▲ 199 | Light | Assemblage 23 | Independent | 7 | |
| 14 | ▲ 86 | Mistakes Become You | Night Court | Independent | 7 | |
| 15 | ▲ 262 | The Only One I Know | The Charlatans | Beggars Banquet | 7 | |
| 16 | ▲ 38 | Too Nice To Talk To | The English Beat | Independent | 7 | |
| 17 | ▲ 267 | Two Worlds Collide | Inspiral Carpets | Independent | 7 | |
| 18 | ▼ 14 | Destinations | Real Sickies | Independent | 6 | |
| 19 | ▲ 54 | Effigy | Ministry | Independent | 6 | |
| 20 | ▲ 370 | Everyday I Write the Book | Elvis Costello | UMe/Elvis Costello | 6 | |
| 21 | ▲ 57 | Grey Cell Green | Ned's Atomic Dustbin | Columbia | 6 | |
| 22 | ▲ 891 | Life On Your Own | The Human League | Independent | 6 | |
| 23 | ▲ 899 | London Calling | The Clash | Sony Music UK | 6 | |
| 24 | ▲ 78 | Non Stop Violence | Apoptygma Berzerk | Independent | 6 | |
| 25 | ▲ 210 | On My Own | Echoberyl | Independent | 6 | |
| 26 | ▲ 481 | Out of Hand | The Mighty Lemon Drops | Independent | 6 | |
| 27 | ▲ 80 | PTL | ACTORS | Independent | 6 | |
| 28 | ▲ 238 | Superman | The Kinks | Independent | 6 | |
| 29 | NEW | The Promised Land | Mary Goes Round | Independent | 6 | |
| 30 | ▼ 27 | Touched By The Hand Of God | New Order | Independent | 6 | |
| 31 | ▲ 252 | Turnstile Blues | Autolux | Independent | 6 | |
| 32 | ▲ 569 | Voices Carry | 'Til Tuesday | Epic/Legacy | 6 | |
| 33 | ▲ 619 | Always | Erasure | Independent | 5 | |
| 34 | ▼ 24 | Big New Prinz | The Fall | Independent | 5 | |
| 35 | ▲ 115 | Black Case | Dlina Volny | Independent | 5 | |
| 36 | ▲ 640 | Blind Sublime | Peter Murphy | Independent | 5 | |
| 37 | ▲ 117 | Candy-O | The Cars | Rhino/Elektra | 5 | |
| 38 | ▲ 120 | Condemnation | Depeche Mode | Independent | 5 | |
| 39 | ▼ 6 | Earl Condition | Lovataraxx | Independent | 5 | |
| 40 | ▲ 352 | Falling From Grace | Hante. | Independent | 5 |
Measured over the last two chart weeks. A record counts as dropped only when it hasn't been played at all in two weeks; new adds entered rotation in that time.
Every spin of the last 30 days by day and hour. Darker means busier. Peak hour: Fri 22:00.
| 00 | 03 | 06 | 09 | 12 | 15 | 18 | 21 | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Mon | ||||||||||||||||||||||||
| Tue | ||||||||||||||||||||||||
| Wed | ||||||||||||||||||||||||
| Thu | ||||||||||||||||||||||||
| Fri | ||||||||||||||||||||||||
| Sat | ||||||||||||||||||||||||
| Sun |
Times shown in station local time (ET).
How airplay is distributed across the playlist. A deep, even rotation — airplay is spread broadly rather than concentrated.
Most of this rotation is independent releases without catalogue genre data, so the mix reflects only classified spins.
30.9% of airplay with known label data went to independent labels (3,344 of 10,199 identified spins carry label data).
Records where this station was the first — or among the first five — on SpinCounts' monitored panel to play them.
Measured against records that debuted after Jun 2, 2026, when continuous monitoring began. Records already in rotation before then can't be credited either way. A record counts only once at least 3 stations on the panel have played it, and only if it came out within the 12 months before it reached the panel.
Compared against stations with similar rotations.
Estimated Audience is a modeled estimate of potential radio exposure based on population, radio listening assumptions, station share, and time of day. It does not represent verified or unique listener counts. Estimated Audience Impressions may include repeat exposure to the same listener.