
Daily spins over the last 28 days, and the four-week total. Flat stretches are outages; a rising line is a station adding rotation hours.
Ranked by spins this chart week, with movement against last week.
| # | Move | Title | Artist | Label | Spins | |
|---|---|---|---|---|---|---|
| 1 | – | 24 Hours A Day | WLHG-DB | Independent | 175 | |
| 2 | ▲ 5 | Liner 30 | MIKE | Independent | 16 | |
| 3 | ▼ 1 | Liner 31 | MIKE | Independent | 16 | |
| 4 | ▲ 36 | Theres More Coming Your Way | WLHG-DB | Independent | 16 | |
| 5 | ▲ 22 | Stay With Us! | WLHG-DB | Independent | 14 | |
| 6 | ▲ 18 | Thanks for listening | WLHG-DB | Independent | 14 | |
| 7 | ▲ 16 | Liner 35 | MIKE | Independent | 13 | |
| 8 | ▲ 12 | Mexico Liner | MIKE | Independent | 13 | |
| 9 | – | msampson creations | MIKE | Independent | 12 | |
| 10 | ▲ 18 | The Good Old Gospel Music Station | WLHG-DB | Independent | 11 | |
| 11 | ▲ 5 | Covered Bridge Spot | MIKE | Independent | 10 | |
| 12 | ▼ 6 | Liner 25 | MIKE | Independent | 10 | |
| 13 | ▲ 19 | Liner 27 | MIKE | Independent | 10 | |
| 14 | ▲ 21 | SD Liner 32 | MIKE | Independent | 10 | |
| 15 | ▲ 10 | And Now This | WLHG-DB | Independent | 9 | |
| 16 | ▲ 5 | ID2 | WLHG-DB | Independent | 9 | |
| 17 | ▲ 24 | Liner 32 | MIKE | Independent | 9 | |
| 18 | ▼ 6 | Liner 34 | MIKE | Independent | 9 | |
| 19 | ▲ 17 | Stay Tuned | WLHG-DB | Independent | 9 | |
| 20 | ▲ 17 | Toe Taping Music | WLHG-DB | Independent | 9 | |
| 21 | ▲ 18 | Be Blessed | WLHG-DB | Independent | 8 | |
| 22 | ▲ 8 | Liner 19 | MIKE | Independent | 8 | |
| 23 | ▼ 20 | Liner 28 | MIKE | Independent | 8 | |
| 24 | ▼ 5 | Liner 33 | MIKE | Independent | 8 | |
| 25 | ▼ 12 | Liner 36 | MIKE | Independent | 8 | |
| 26 | ▼ 11 | We Appreciate All Our Listeners | WLHG-DB | Independent | 8 | |
| 27 | ▼ 1 | Good Old Gospel Music | WLHG-DB | Independent | 7 | |
| 28 | ▼ 6 | Jade Liner | WLHG-DB | Independent | 7 | |
| 29 | ▼ 11 | Keep Listening! | WLHG-DB | Independent | 7 | |
| 30 | ▲ 3 | May God Bless You! | WLHG-DB | Independent | 7 | |
| 31 | ▲ 3 | On The Internet | WLHG-DB | Independent | 7 | |
| 32 | ▼ 15 | ID3 | WLHG-DB | Independent | 6 | |
| 33 | ▼ 19 | Liner 21 | MIKE | Independent | 6 | |
| 34 | ▲ 15 | Liner 22 | MIKE | Independent | 6 | |
| 35 | ▼ 4 | Liner 26 | MIKE | Independent | 6 | |
| 36 | ▼ 28 | Liner18 | MIKE | Independent | 6 | |
| 37 | ▼ 32 | Liner 20 | MIKE | Independent | 5 | |
| 38 | ▼ 27 | Liner 24 | MIKE | Independent | 5 | |
| 39 | ▼ 35 | Liner 29 | MIKE | Independent | 5 | |
| 40 | ▲ 686 | The Baptism Of Jesse Taylor | Bill & Gloria Gaither and their Homecoming Friends | Independent | 5 |
Measured over the last two chart weeks. A record counts as dropped only when it hasn't been played at all in two weeks; new adds entered rotation in that time.
Every spin of the last 30 days by day and hour. Darker means busier. Peak hour: Sat 01:00.
| 00 | 03 | 06 | 09 | 12 | 15 | 18 | 21 | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Mon | ||||||||||||||||||||||||
| Tue | ||||||||||||||||||||||||
| Wed | ||||||||||||||||||||||||
| Thu | ||||||||||||||||||||||||
| Fri | ||||||||||||||||||||||||
| Sat | ||||||||||||||||||||||||
| Sun |
Station location unknown — times shown in ET. Add your station’s city under Station Info in your dashboard to show local times.
How airplay is distributed across the playlist. A deep, even rotation — airplay is spread broadly rather than concentrated.
Most of this rotation is independent releases without catalogue genre data, so the mix reflects only classified spins.
Records where this station was the first — or among the first five — on SpinCounts' monitored panel to play them.
Measured against records that debuted after Jun 2, 2026, when continuous monitoring began. Records already in rotation before then can't be credited either way. A record counts only once at least 3 stations on the panel have played it, and only if it came out within the 12 months before it reached the panel.
Compared against stations with similar rotations.
Estimated Audience is a modeled estimate of potential radio exposure based on population, radio listening assumptions, station share, and time of day. It does not represent verified or unique listener counts. Estimated Audience Impressions may include repeat exposure to the same listener.